One-line positioning

AI visual artist for six interlude films projected on stage screens as transition chapters in the Katy Perry Lifetimes Tour.

Context

The six interlude pieces formed one connected mini-film about Cyborg K2P 143 fighting AI Wingframe. Team setup: 4 AI generated artists, 1 creative art director, and 2 editors.

Your role

I contributed as one of the AI generated artists across a large shot-breakdown structure. Daily workflow started with art-director-led shot-list breakdown, then each artist received assigned shots and executed image-to-video passes independently with iterative review.

Team setup

  • 4 AI generated artists.

  • 1 creative art director.

  • 2 editors.

Workflow

  • Daily shot-list breakdown with the art director.

  • Per-artist shot assignment after breakdown.

  • Each artist runs end-to-end image-to-video production for assigned shots.

  • Iterative internal review and editor integration for interlude delivery.

Key deliverables

  • Shot packages delivered across six interlude films.

  • Image-to-video outputs prepared for tour-stage projection workflows.

  • Consistency support for character identity and scene language across all interludes.

Technical challenge

The key challenge was multi-shot continuity under schedule pressure: character identity had to remain stable across all six chapters, and scene assets had to stay visually consistent across outputs produced by multiple artists.

Outcome

Delivered approved shot packages integrated into all six interlude films, and these materials were used in every show of Katy Perry's 2025 global tour.